The War of the Citrus
Juicy Salif, citrus-squeezer by Philippe Starck for Alessi 1990
One of the first projects by Starck for Alessi, devised in the second half of the 1980s.

citrus-squeezer
An excellent example of Alessis role as artistic mediator in the most turbulent areas of creative potential (this was his response to our precise breifing for a stainless steel tray). It remains unparalleled in its ability to generate discussions about its meaning and design, partly because of its unconventional use of what semiologists refer to as the decorative veil which, even though generally in a less overt manner, is inexorably destined to cover all objects created by man. To fully understand the true meaning of its existence, it is possibly necessary to refer to the theories of Leroy-Gourham, who considers the notion of functional approximation to be fundamental. This notion suggests that there is always a certain degree of freedom in interpreting relationships between Form and Function: it is precisely this continual play between Form and Function that leads to the decorative veil mentioned above, that Floch considers to be the manifestation of the legendary and aesthetic dimension of the object, as originally defined by Greimas. As well as being the most controversial citrus fruit squeezer of the 20th century, it has also become one of the icons of design of the 1990s, and it continues to be one of the most provocatively intelligent articles in the Alessi catalogue.
- citrus-squeezer
- citrus-squeezer
- citrus-squeezer
- citrus-squeezer
Citrus-squeezer in aluminium casting, mirror polished
Tea and Coffee Towers Project
Tea & Coffee Towers project by Officina Alessi
presented at the Milan Furniture fair 2003
2003
Alessi’s ‘Tea and Coffee Towers’ project is a new landscape of objects designed by contemporary architects,
an exhibition that combines the expression of architecture with the language of design.
The ‘Tea and Coffee Towers’ has a precedent in the Alessi history: the ‘Tea and Coffee Piazza’, developed between 1979 and 1983, it led to a collaboration between Alessi and Aldo Rossi and Michael Graves.
Where is the contemporary idea of ‘domestic’ objects heading? It might be worthwhile studying and comparing the visions of these different designers/architecs.
Project of showcases by Hans Hollein.
Metaproject by Alessandro Mendini.






















